This cast monoprint is the first polygon the artist made. The mould is from the debitum pattern series. Clear resin cast on to gold organza. Metal leaf is roughly gilded over the top of the casting. An antique mirror finish is applied to the back. The stretcher is reverse bevel with unfinished wrapped sides, 44" x 44."
A transparent cast monoprint. This piece features a delicate use of gold powders. The piece flashes with almost animated reflections as one walks by. Stretched over a gilded reverse bevel frame, 44" x 44"
This cast monoprint features a translucent white impression. Translucent white can cast its own shadow. Stretched over a reverse bevel stretcher with a white panel seated in the back rabbet, 44" x 44."
Painting with Resin, Oil, Digital and Metal on Other, 44" x 44."
The debossed texture is a composite of two renaissance engravings. With the body parts erased from the source images, only the elaborate garments remain. There's also a thermographic white overprint that is only seen at certain angles when the light strikes just right. This foam panel artwork, the first of three pieces, is an homage to Rudolf Stingel's gilded styrofoam work.
Painting with Resin, Oil, Digital and Metal on Other, 44" x 44."
The debossed texture is a composite of two renaissance engravings. With the body parts erased from the source images, only the elaborate garments remain. There's also a thermographic white overprint that is only seen at certain angles when the light strikes just right. This foam panel artwork, the first of three pieces, is an homage to Rudolf Stingel's gilded styrofoam work.
Silk fabric reverse appliquéd and collapse quilted, inspired by ethnographic textiles, 21.5"x24"x1".